Anthropological ideal by O Kiprensky and K. Brullov: two faces of romantic portrait
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Anthropological ideal by O Kiprensky and K. Brullov: two faces of romantic portrait
Annotation
PII
S0236-20070000616-8-1
Publication type
Article
Status
Published
Edition
Pages
92-104
Abstract
Similarity and distinction in interpretation of the personality in portraits by O. Kiprensky and K. Bryullov’s are considered. While it’s mature femininity and mature masculinity, mature courage, that appeals to Bryullov in his characters for Kiprensky it’s children and youth traits that he is trying to make out even in adults. But both artists advocated the pattern of creative behavior which at the end of the XIX century poured out in Russia in an ideal of “free artist”, an artistic creative person.
Keywords
KIPRENSKY, BRYULLOV, PORTRAIT, FEMININITY, MASCULINITY, "FREE ARTIST"
Date of publication
01.04.2016
Number of purchasers
1
Views
1067
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0.0 (0 votes)
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Additional sources and materials

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  2. Domanskij V.A. Khudozhestvennoe masterstvo M.Yu. Lermontova v izobrazhenii pejzazhej i portretov // Sb. nauchnykh trudov, posvyaschennykh 200-letnemu yubileyu M.Yu. Lermontova. Sombatkhej (Vengriya): Studia Slavica, 2014.
  3. K.P. Bryullov v pis'makh, dokumentakh i vospominaniyakh sovremennikov. SPb.: Izd-vo Akademii khudozhestv SSSR, 1961.
  4. Lifshits M.A. Orest Kiprenskij // Ocherki russkoj kul'tury. M.: Akademicheskij proekt. Kul'tura, 2015.
  5. Orest Kiprenskij. Perepiska. Dokumenty. Svidetel'stva sovremennikov. SPb.: Iskusstvo-SPb., 1994.
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  7. Proffer Tisli Eh. Brodskij sredi nas. M.: Corpus, 2015. S. 136.
  8. Ramazanov N.A. Postoronnij uchenik Akademii (kharakteristika) // Materialy dlya istorii khudozhestv v Rossii. SPb.: BAN, 2014. S. 330.
  9. Chajkovskaya V.I. Karl Bryullov: igra s ognem // Neva. 2013. № 3.

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